The follow-up album, 1989's Repeat Offender avoided the sophomore jinx as it became another hit for Marx. I've worked with him so many times, but all these years later to go into the studio and make that solo album -I know what that record means to him, and it meant a lot to me as well.” He, in that moment, sort of took the role of my big brother. What are you talking about? He's just a kid, he's just here to meet with David.’ He really did stick up for me. “I got up to leave,” Marx recalls, “and then Fee stepped up and went, ‘No. One day, Marx dropped by at a recording studio at the invitation of producer David Foster as the Tubes were working on the track “She's a Beauty.” As Marx writes in the book, Tubes guitarist Bill Spooner, perhaps having a bad day, seemed perturbed by the young Marx's presence in the studio and inexplicably went off on him. One of his earliest memories from that period was how he met Fee Waybill, the lead singer of the rock band the Tubes, who became a lifelong friend and musical collaborator. Prior to getting a record deal, Marx worked as a session singer in Los Angeles for most of the 1980s, appearing on records for acts like Richie and Chicago. (Photo by Paul Natkin/Getty Images) Getty Images Portrait of singer Richard Marx at the Poplar Creek Music Theater in Hoffman Estates, Illinois, May.
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